Corn Dollies


To enlarge the picture, view the painting details and to buy this painting, simply click on the painting. If you have any questions, simply email me or call me: 0044 (0) 7 944 252 881.



              
 
              
 
              
 
              
 
              
 
              
 
                   




The corn dolly is an ancient harvest custom, still widely practiced throughout Europe. In ancient europe it was customary at harvest time to leave a small portion of the grain in the field, often twisted or tied into the shape of a man or the symbol of a god or goddess. Sometimes, it was even dressed in men's or women's clothes, kept in a cradle, or hung atop a pole. This bundle or effigy was believed to contain the essence of the spirit of the grains- a representation of the solar deity who would be burned and 'reborn' as the spring grain. At the end of the season (usually at the winter solstice), the bundle would be ritually sacrificed, burnt, or plowed under to ensure the year's crops.

In later times, corn dollies evolved into a household tradition, with elaborate symbolic figures crafted from straw, which were usually hung over doors or in barns and burnt at Christmastime; sometimes small grain dolls were kept in cradles or given 'pride of place' in the home through the winter. Today the corn dollie is little more than a craft tradition, with each region 'specializing' with a particular design. picture of an orginial corn dollie

The last sheaf of the harvest, dressed in a woman's dress or woven into an intricate shape and decked with ribbons, is regarded as the embodiment of the spirit of the crop, the spirit of the growing grain itself. The safe-keeping of this corn dolly over the winter insures fertility for the following harvest, provided that some portion of it is given to cattle and horses to eat, and some portion of it strewn in the field or mixed with the seeds for the next crop.

This practice of saving the spirit of the harvest is extensive throughout Europe. In Northumberland, the corn dolly is attached to a long pole and carried home to be set up in the barn. In some communities it goes home on the lastload. Sometimes it is fairly small. In parts of Germany, the heavier it is, the better.

On the Isle of Lewis in Scotland, the corn dolly's apron is filled with bread, cheese and a sickle. In other parts of Scotland, the reapers hold races. The man who finishes reaping first designates his last sheaf the corn maiden; the one who finishes last makes his last sheaf into a hag.

In some localities, the corn dolly is made by the first farmer who finishes his harvest and then passed from farm to farm as each farmer finishes his harvest, ending up with the farmer who finishes last. In this case, no one wants the dolly as it is a sign of procrastination.

In Wales, others try to snatch the dolly from the reaper who carries it from the field. If he gets home safe, he gets to keep it on his farm for the rest of the year.

French, Slavonic, and some Germanic regions use the last sheaf to create a Kornwolf, believed to hold a wolf-like spirit that resides in the last sheaf and provides the same life force for the next season. This is a fiercer version of the corn dolly and is sometimes used to scare children.

Today, corn dollies are seen as emblems of abundance.